Record Keepers, Duke Hall Gallery of Fine Art, James Madison University, October 23 – December 1, 2018
Group exhibition, curated by Anna Hoberman and John Ros, Duke Hall Gallery of Fine Art, James Madison University, 820 South Main St., Harrisonburg, VA
Featured artists include: Alix Lambert, Allan McCollum, Aurora De Armendi, Azikiwe Mohammed, Elizabeth Moran, Emma Nishimura and Jo Baer.
”Since before the Renaissance, prints have enabled artists to disseminate their work and perspectives throughout the world. A print, unlike other types of art, can exist in multiple places at the same time. Editions have played, and continue to aid, an important role of documenting and testifying to the existence of events. This documentary ability puts a print into the realms of an archive. The archive is an accumulation and preservation of records, documents and primary sources. Artists take on the role of cultural archivist — pulling from, referencing, preserving and collecting artifacts.” Continue reading press release and exhibition essay here.
multilayered: New prints 2018/Summer, Selected by Juan Sánchez, June 26 - September 22, 2018
Juried exhibition, International Print Center New York, 508 WEST 26TH STREET, 5A, NEW YORK, NY
"IPCNY is pleased to present the fifty-eighth presentation of its New Prints Program, a biannual, juried open call for prints and print-based work created in the preceding twelve months. Titled Multilayered, the exhibition was selected by Juan Sánchez, one of the most significant artists of the Nuyorican cultural movement. As a multimedia artist with an activist stance, Sánchez draws on symbols, images, and texts from popular and traditional culture to explore questions of ethnic and national identity. Sánchez dedicates this exhibition to Sam Coronado (1946 – 2013), a printmaker, activist, and educator who dedicated his life to the Latinx arts community.
The 43 prints and print-based works on view in Multilayered reflect Sánchez’s interest in new narratives for an increasingly hybridized cultural world. Many of the artists skillfully deploy traditional printmaking techniques, including lithography, etching, woodcut, and screenprints, to create enigmatic characters and complex scenes, while others use prints as the basis for expansive installations. In this exhibition, Sánchez also places particular emphasis on hand-made artist books, many of which overtly address current social and political themes. The artists on view also display a particular propensity towards experimenting with mediums, combining traditional commercial materials with a great variety of handmade papers, and adding embroidery, gold leaf, and even mushroom spores to their prints." For more information and a full list of the participating artists click here.
The Print Center's 92nd ANNUAL International Competition (2018), The Print Center, Online Exhibition
I am one of ten finalists in this juried exhibition, The Print Center, Philadelphia, PA
"The Print Center’s 92nd ANNUAL International Competition features works by 45 of the finest contemporary artists using Photography or Printmaking as critical components in their works today. This year the competition was juried by Keliy Anderson-Staley, Assistant Professor of Photography and Digital Media at the University of Houston and Katherine Ware, Curator of Photography at the New Mexico Museum of Art, Santa Fe. The Print Center’s ANNUAL is one of the most prestigious and oldest juried exhibitions in the United States. This online exhibition presents portfolios of the work of the 35 semi-finalists and 10 finalists. It provides a unique opportunity to view the work of local, national and international artists in a forum which emphasizes individual talent and expressiveness rather than a specific exhibition topic. Anderson-Staley and Ware reviewed over 2,100 images submitted by 420 artists." To read more about the competition click here.
The Weight of What Cannot be Remembered, Open Studio, February 15 – March 17, 2018
Solo exhibition, Open Studio, 401 Richmond Street West, Suite #104, Toronto, ON
Opening Reception: February 15, 2018
"This is a library, of sorts. Rather than stories written on paper and bound into books, this library, by Toronto-based artist Emma Nishimura, captures the fleeting nature of family memories. Nishimura cares for these memories, visually wrapping them like furoshiki, a traditional Japanese bundle used to contain food and gifts. The stories here—memories of the experience and effects of the uprooting, exile and internment of 22,000 Japanese Canadians during the Second World War—are sensitive; Nishimura’s use of the furoshiki underscores a need for caretaking of these narratives and their people." To continue reading the essay by Heather Read, please click here to download the brochure.
Passé Inaperçu, Biennale Internationale du Lin de Portneuf, June 17 – October 1, 2017
Group exhibition. Moulin de La Chevrotière. 109, rue De Chavigny, Deschambault-Grondines, QC.
"Nineteen artists use thread, fabric, paper and other materials known for their fragility to tell stories of disappearance, well-kept secrets or ignored realities. The creators were invited to break momentarily with the usual patterns of memory, to linger on the innocuous, discreet, and what has passed or will go unnoticed." Continue reading press release here.
Re-enact, MacLaren Art Centre, July 6 - October 29, 2017
Group exhibition, curated by Renée van der Avoird. The Janice Laking Gallery, MacLaren Art Centre. 37 Mulcaster Street, Barrie, ON.
"Re-enact explores how six Canadian artists interpret, commemorate and renegotiate moments of the past. Collectively, their works open up spaces for empowerment through imagination, sharpening our awareness of historical bias. Challenging the authority of historical narratives, their projects pose questions about representation—and reconciliation—in the future." Continue reading press release here. Or read the exhibition brochure here.
Group exhibition, curated by Karen Kunc. Constellation Studios. 2055 O Street, Lincoln, NE
"7 women printmakers reference maps and mapping using symbolic conventions of space and visual cues from the world of information, printed matter, and inherited narratives. The works investigate visual cacophony and information loss, imagined spaces, shifting climatic conditions, and where the journey is the destination." Continue reading press release here.
Read a review of the show: Lincoln Journal Star
An Archive of Rememory, Arts at CIIS, March 25 – May 5, 2017
Solo exhibition, curated by Tomiko Jones. Desai Matta Gallery, California Institute of Integral Studies, San Francisco, CA
“In this pair of solo exhibitions, artists Emma Nishimura and Neil Chowdury listen closely for whispers that illuminate their family stories, and in the process point to larger narratives of colonization, migration, and adaptation through the diasporic experience.” Continue reading press release here.
International Academic Printmaking Alliance Invitational Exhibition, Beijing Taimiao Art Gallery, September 2016 – December 2017
Group exhibition including artists from more than 28 countries and regions. The exhibition is traveling within China - venues include: Beijing Taimiao Art Gallery, Nanjing Jinling Art Museum, Tianjin Art Museum, Shijiazhuang Art Museum, Shenzhen Guanlan Original Printmaking Museum, China.
Participating Canadian artists (curated by Mark Bovey) include: Derek Michael Besant, Briar Craig, Guy Langevin, Liz Ingram, Sean Caulfield, Ericka Walker, Joscelyn Gardner, Emma Nishimura, Elmyna Bouchard and Mark Bovey.
Absence in Remembrance; The Japanese Canadian Internment. Franc Gallery, June 17 – July 16, 2016
Group exhibition, curated by Kristine Olson (an MA Candidate in Critical and Curatorial Studies at the University of British Columbia). Franc Gallery, Vancouver, BC.
"Absence in Remembrance centres on the remembrance and commemoration of the experience and legacy of the Japanese Canadian Internment, which began in British Columbia and unfolded across Canada during World War II. At a generational remove from the internment experience, each artist has come to know and “remember” the experience indirectly through different encounters and means, including oral testimonies, family photographs, novels, and archival research." Continue reading press release here.